Jen Crawford is a New Zealander living in Singapore. Her poetry collections include Bad Appendix (Titus Books), Napoleon Swings (Soapbox Press) and most recently, Pop Riveter, a set of factory poems available in limited edition from Pania Press. She teaches creative writing at Nanyang Technological University.
clear days giant sacra
this is for. it is not about or to, but I wish it was with. or it is with, about, for, to. it will be with. it will be with. it is not it is with.
with a walking, a donkey alongside. the gravel releases dust and the dust takes up the sun, dumping it across the valley. it is now 22 degrees and 6pm. the decline is fitted with small mauve wildflowers. we can look at them fined in the light and dark, narrow for pleasure. with that I have an excellent headache, from the tightening of the sun’s plates against the hills. while the dog and the donkey chase each other through the discards we stand here cantering our trebuchets, in arms. there’s nowhere to set the baby down. when I had this pain before I didn’t consider my hip considering a weight. when I saw the gravel I didn’t know you would be with me, to hold and cantering.
it will be. a strong lower back and rain or light as circular breathing. it will be with me your cream-covered book. a mouth full of simple exercises in shaded awnings. let no more than a lungful. need it be one after another, in and out, left and right? only without clarinets, and so far these continue, in will be with me. I am still walking. at times it has been said that the problem is exacerbated by the fact that even dictating physicians frequently have difficulty with plurals and that this pushes the burden straight back on the transcriptionist. but this is a curfew from when. in will be with me it will be with me, this alongside and with pains. this in between fingers and around fingers, the gravel light. this donkey I am conscious, and child.